Exploring Identity and Intimacy in “Me and My Year of Casual Monasticism”

‘How Many of You Have Ever Felt Like a Whore?’ – A Journey Through "Me and My Year of Casual Monasticism"

The small but mighty Pembroke New Cellars has become a hotbed for intimate performances, and the recent show "Me and My Year of Casual Monasticism" is a perfect example of why. As the audience descends into the dark, cozy space, we find ourselves instantly drawn into the world of Mary, portrayed brilliantly by Emily Knutsson. Resting languidly on a chair in her college dorm room, Mary engages us with a directness that feels less like a performance and more like a candid conversation with a friend.

An Intimate Connection

From the very first moments, the sense of intimacy within the venue transforms our experience. The proximity to the “stage” allows for a closeness that’s both engaging and disarming. Mary’s monologue—imbued with a student’s raw frustration and humor—draws us into the shared experiences of each audience member, who, regardless of year or discipline, can relate to her trials and tribulations. The small, almost claustrophobic space of Pembroke New Cellars makes it easy for each laugh and sigh to resonate intimately within the audience.

As she spills her heart about life at Cambridge, Mary cleverly utilizes archetypes and historical references, connecting her angst with mythical and religious figures. It’s a prism through which we examine our own identities in the light of relationships, academia, and the constant struggle to find balance in a chaotic world.

The Heart of the Matter

The monologue doesn’t shy away from exploring heavy themes. Mary grapples with the notion of ‘monasticism’—resorting to a celibate monk lifestyle as a means to escape the tumultuous world of modern relationships. As she confesses, “So enraged at the treatment I had received, I had effectively martyred myself,” the audience is treated to a dialogue that intertwines the ancient with the contemporary.

Emily Knutsson uses her background in medieval history to create a unique narrative arc, spiraling into the depths of historical analysis as she references figures like Gerald of Wales and Oderic. This intertwining of medieval monasticism with modern struggles is a fascinating lens that’s seldom explored. It raises the question: would past scholars trade their great works for fleeting romances? Through Mary’s eyes, we ponder these dilemmas in our own lives.

A Masterful Performance

It’s no small feat to captivate an audience for a full hour with just one voice. Knutsson manages to maintain attention, implementing humor and vulnerability that resonates deeply. Moments of levity create a well-rounded experience, allowing the audience to laugh at the absurdity of both Mary’s experiences and their own. Yet, woven through the laughs are poignant moments that remind us of the fragility of our hearts, especially when it comes to love and loss.

However, there are moments where the performance could benefit from more dynamic elements—perhaps some lighting design or soundscapes could elevate the highs and lows of the narrative. Additionally, a bigger audience could amplify the shared energy, enhancing the feeling of friends sharing stories around a table.

Relatable to All

While the show might primarily resonate with postgraduates, it stands as an inviting piece for the entirety of the Cambridge student body. We’ve all navigated the messy waters of club nights and late-night encounters, and this piece serves as an exploration of self-identity amidst it all. Mary challenges us to confront our own dichotomies between the Madonna and the whore, ultimately creating a space for laughter, reflection, and community.

Don’t Miss Out

If you’re a Cambridge student or simply someone seeking relatable theatre, "Me and My Year of Casual Monasticism" is a must-see. It runs until November 30th, offering not just a performance but an engaging conversation about the trials of youth, love, and self-discovery.

Grab your tickets here and prepare for an experience that’s both heartwarming and thought-provoking!

Rating: 4/5